Firecobra22 wrote:Hi
I'm trying to create that beautifull CS-80 pad on the MicroKORG but I have'nt succed yet. Could anybody give me pointers please. Or maybe it's not even possible. But it would be very helpfull at the least if I knew wich waveform it's based on.
Thx
I don't know what pad you mean, but this is a rough guide...
CS80 is famous for its pulse wave and its unique filter sound.
The above mentioned is nearly impossible to recreate,
However, this is a little recipe how to get a CS80 brassy swell sound... very vangelislike:
-Saw Wave (start with one osc, add another w/ slight detune if you feel it's too thin) - 8'
-Put ENV on the VCF with long attack
-ENV VCA: slightly shorter attack to make the sound become louder first, than grittier
-VCF (LPF): low resonance (try, depends on the synth, not more than 20%)
-delayed LFO to pitch to bring in vibrato after a few secs
-if you have a BPF, you may want to cut some low frequencies, but this is not necessary.
-try to get the osc to produce some random pitch instability, if you don't have such a parameter, put a LFO with S&H routed to noise on it...
If you feel the sound is too brassy and not much CS80s, you may try to use a width-modulated pulse wave on either one or two of the oscillators as you wish, but like I said, the CS80 pulse sounds is very characteristic and hard to reproduce. The filter has a very 'sandy', 'gritty' but 'nasal' sound, and most famously for those particular brass swells as used by Vangelis.
Hope that helps
