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GMedia String Machine - NEW


Post Posted Thu Jan 18, 2007 8:28 pm
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Virtual string machine

The modern, polyphonic string synthesizer was invented in 1970 by Ken Freeman, a British keyboard player and engineer who discovered that if you layered a note with another detuned and slightly modulated version of itself, a pleasant ‘chorused’ sound resulted.

Even though Ken's invention wasn't the first instrument of this genre to be commercially released (That honor fell to the Eminent organ company with their 310 Unique organ) there's little doubt that Ken's vision contributed immeasurably to electronic music over the next few decades in the guise of over 100 different models by a huge variety of manufacturers.

After all, what would the intro to Pink Floyd’s Wish You Were Here have sounded like without those moody intro chords? Can anyone imagine Oxygene without the swirling tones imparted by the Eminent 310 and Small Stone Phaser? Likewise, what would Lonnie Liston Smith’s Expansions have sounded like without that effervescent Solina?

The above are just a few examples of how, over the last few decades, the evocative sound of the string machine has significantly contributed to an almost endless array of tracks from artists as diverse as Air, Pink Floyd, Stevie Wonder, The Cure, Parliament, Herbie Hancock, Joy Division, Jean Michel Jarre, Thomas Dolby, Genesis and more recently Kasabian and Goldfrapp.

The VSM is a simple but highly powerful Virtual String Machine which captures many of the sounds from this genre of instruments, containing a wealth of sounds from a small mountain of classic and rare string machines. These range from the first commercial string ensembles (Eminent 310 & Freeman String Symphonizer) through to the highly lauded Solina, Elka Rhapsody, Logan String Melody, Korg PE2000 and many more.

With the sheer amount of instruments captured within the VSM it's simplicity itself to recreate all those golden string machine tones from yesteryear. However, with the VSM's comprehensive, yet intuitive feature-set, plus a two-layer option it's now possible to create your own hybrid instruments taking these sublime vintage tones into hitherto unchartered territory.

The sounds from 17 classic and rare string machines
Over 2.5Gb of data
66 individual sample sets
49 notes, each individually sampled and looped
Dual Layer & Split Keyboard capability
Vintage style Ensemble & Phaser effects
Filter section with Lowpass, Bandpass & Highpass modes
Two Envelope Generators
Pitch LFO
Dynamic control including filter aftertouch
500+ Patch library

INSTRUMENTS

ARP Omni, ARP Quartet, Crumar Multiman, Elka Rhapsody, Eminent 310, Freeman String Symphonizer, Junost 21, Korg PE-2000, Logan String Melody, Oberheim OB-8, Oberheim Xpander, Moog Opus 3, Polymoog, Roland RS202, Solina, Yamaha SK-15, Yamaha SS-30

Audio Demos here: http://www.gmediamusic.com/gforce/Strin ... html#Demos
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Now this I can't wait for! :mryellow:
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Post Posted Thu Jan 18, 2007 8:29 pm
Jarp2600


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Looks retro! :D . What's the price? :P
"If you can't fix it with a hammer, you've got an electrical problem"

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Post Posted Thu Jan 18, 2007 8:37 pm
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Jarp2600 wrote:Looks retro! :D . What's the price? :P
I'm curious to this myself,working on the usual price tags of Korg workstations,I expect it to be aimed more at the Middle of the road user,in the region of £1600-£1800 UK Pounds,but thats just a guess..

No actual Price has Been announced as of yet,Although I expect it to filter through in a few days with NAMM showcasing it as we speak
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Post Posted Thu Jan 18, 2007 8:38 pm
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Except for the tilted interface, I like its design pretty much 8)
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Post Posted Thu Jan 18, 2007 8:40 pm
jeremy


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I don't like the look at all... Not very convenient. How do you want to carry it easily for concerts, etc.? :?
Main synths: Roland Fantom X6, XP80, Alesis Ion, Korg 01/WFD, Wavestation SR, Oberheim Matrix 1000.
Post Posted Thu Jan 18, 2007 8:43 pm
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Kay, seems cool :) :D

But... Oberheim OB8? Huh? :roll:
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Post Posted Thu Jan 18, 2007 8:46 pm
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That's the reason there are roadies :P
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Post Posted Thu Jan 18, 2007 9:04 pm
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I want video demos. And I want them NOW. :D
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Post Posted Thu Jan 18, 2007 9:39 pm
Jarp2600


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I think I'm going to have busy days next months, with trying all those new synths! :D
"If you can't fix it with a hammer, you've got an electrical problem"

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Post Posted Thu Jan 18, 2007 10:24 pm
jeremy


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Equinoxe wrote:In my Gigging days I was taking 5 synths+Plus PA/Lighting rig!... :shock:
:|

You were gigging as a one-man band?
Main synths: Roland Fantom X6, XP80, Alesis Ion, Korg 01/WFD, Wavestation SR, Oberheim Matrix 1000.
Post Posted Thu Jan 18, 2007 10:31 pm
Jakob BC
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MS-2000 disappeared when the Radias got on the market, the same will possibly happen to the microkorg, it's old now. Now people can't whine about minikeys :wink:

I have a feeling that this one will be more expensive than expected just like with the Radias, unless they have learned their lesson with the price of the Radias.
Post Posted Thu Jan 18, 2007 10:34 pm
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I love these times when new stuff arrives, but I don't really find this one interesting, but I have never been looking for these type of synths anyway.
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Post Posted Thu Jan 18, 2007 10:55 pm
Equinoxe


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jeremy wrote:
Equinoxe wrote:In my Gigging days I was taking 5 synths+Plus PA/Lighting rig!... :shock:
:|

You were gigging as a one-man band?

As close to it...I was in a duo for about 2 years and I owned the PA/Lighting equipment,so had to lug all that gear with me along with my synths etc,was doing on average about 10 gigs a month,the singer did help me set it up and reload the vehicle after gigs,but I still had to load the Van up prior to gigs and empty everything out again

I've been in several bands over the years also,which wasn't so demanding as virtually everything was played live,so I only really needed 2 synths at the most,and the other guys each had PA/Lighting,so I only had to take 3 flightcases (2 synths/Mixing desk)

If I was to do it now,I'd only use 1 Synth(Triton Extreme for live overdubs) and a DAW for the main backing tracks/Mixing duties,but Back then I didn't have the Luxury of a 16 Track DAW so had to take pretty much my whole setup back then when I was in a duo..

I'm not really interested in gigging nowadays,although I do miss being in a band,but I still work with other Musicians and singers,writing in my own studio and recording backings for them.Plus I don't have the time for gigging nowadays.Back then I was carefree and single..
Post Posted Thu Jan 18, 2007 10:59 pm
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Synthesist wrote:MS-2000 disappeared when the Radias got on the market, the same will possibly happen to the microkorg, it's old now. Now people can't whine about minikeys :wink:

I have a feeling that this one will be more expensive than expected just like with the Radias, unless they have learned their lesson with the price of the Radias.

Its the same with any new instrument,there essentially there to take over from a predecessor,the R3 will replace the shine of the Microkorg,and I expect the MK to go out of production(if it already hasn't been withdrawn)

The Radias Rack has been lowered by some $300 today...but doubt the R3 will replace its glory,its merely a side step middle of the road product incorporating some of the Radias's functions

To be honest I would have been happy for Korg to release a MicroKorg mark 2 with full size keys,the Minikeys were the only thing that stopped me buying a MK

I'd Guess at the R3 being around the same price as the Micro X if not a little less on release
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Post Posted Fri Jan 19, 2007 4:52 pm
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Equinoxe wrote:
jeremy wrote:I don't like the look at all... Not very convenient. How do you want to carry it easily for concerts, etc.? :?
In my Gigging days I was taking 5 synths+Plus PA/Lighting rig!... :shock:
Yes, that's what I do, (with a few less synths, but still). The only you need is a big car.
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