I suspect the same. I think Deserted Palace and Pop Corn are related in that way. Pop Corn was big in 1972 and every record company wanted their own Pop Corn. Dreyfus probably asked JMJ to do it, he himself half-admitted to have done it for the money in an interview at ADE in 2019. The b-side is an alternative version of a Deserted Palace song.SeePer wrote: Mon Mar 31, 2025 12:51 pm It will be interesting to see what Jarre says in the sleeve notes around all of this. I get the impression that Jarre was on Dreyfus's "in house" roster when the opportunity to work on Deserted Palace came along, though perhaps Deserted Palace was a test which actually led to the Dreyfus contract? Library music was inexpensive, cheap to produce, and relatively risk free, so it is not as if Dreyfus was to lose out in any significant way.
Describing the album as a collection of jingles is probably apt, he's been doing jingles before and after (Sport en Fête comes to mind).