Can't say I'm that impressed - yada, yada


Ur in luck then, Kronos pricing had been out for a while and it's only a few more bucks than the leading workstation. 61 key XF and G's sell for about $2,500 in my neck of the woods. Kronos sells for $2,999. Oh wait... that's marketing speak for $3,000! But yeah, nowhere near OASYS prices and much closer to M3 prices. Makes you a little angry being an OSAYS owner. Especially since the Kronos comes preloaded with all additional engines which you had to buy at about $300 a pop on the OASYS. Oh well... better for the new consumers though.jeremy wrote:The Jupiter 80 is not something I would want to buy. A Fantom is better for live settings but lacks the analog modeling part in this case.
What I want from Roland next year is a black workstation (call it Fantom-Z or whatever sounds nice), with an analog modeling engine built-in AND a huge flash memory like the Motif XF so that you can play your own samples immediately with no loading time necessary.
That is something I would buy, definitely. Cause I assume the Korg Kronos will be very expensive compared to the usual workstations (Fantom, Motif, M3...). I expect a price tag between the M3 and the Oasys...
Exactly - It's like putting a Ferrari badge on a Fordqube wrote:There was a review in Sound on Sound which summed it up nicely, stating that the biggest problem with the new workstation is that it is called a Jupiter, as it sets too many expectations and therefore disappoints.