Not really, there's a couple of patches scattered here and there throughout commercial banks, that are named after some Jarreisms and Vangelisisms, but the patches themselves are far from the timbre of the originals they're trying to immitate, they are more in spirit.JPQ wrote:i mean anyone made jarre sound replicates for rob papen blue and albino. ps. of course i program them i alredy made TWO or THREE blue patches.Jakob BC wrote:What exactly is your question about?
what you use. ps. also i think same with blue now when tested oxygene 4 type horn sound making sounds very digital but both synths are still nice.Analog-Umph wrote:Not really, there's a couple of patches scattered here and there throughout commercial banks, that are named after some Jarreisms and Vangelisisms, but the patches themselves are far from the timbre of the originals they're trying to immitate, they are more in spirit.JPQ wrote:i mean anyone made jarre sound replicates for rob papen blue and albino. ps. of course i program them i alredy made TWO or THREE blue patches.Jakob BC wrote:What exactly is your question about?
Also I personally would not use those synths to do vintage sounds, the character just isn't there.
my even my room dont allowAnalog-Umph wrote:Yeah they're nice but over the course of 6 years (for Albino) I've found myself using it less and less. Now I only use it for an odd SFX or pad sound. Blue is a tiny bit better, but still it fits much better into the contemporary styles. Predator too.
In software, there's few good choices you can go for when it comes to analog modeling, there's around 5 or 6 synths that do the job right.
I recommend you try out Timewarp, Vaz, Poly-Ana, Sylenth, Zebra, Minimonsta, Korg Bundle.
They're the real game in software land.
Though if you're a purist I strongly suggest you get a vintage hardware analog synth, that is if finances allow for the care that comes with owning one.