...that said... fullstop! Thanks GJ for the clarification.GeeJee wrote:I was the one who asked it, and there was no "probably" in his answer: he said it with clear certainty. I also have to say that Perrier's words have more credibility than for example Rimbert's.Pete wrote:I know it is reported that D.Perrier said it was probably from a M1R
So probably it's because of different effects and EQs on that sound. The character is the same, like the "swirl" effect I think activated with aftertouch, anyway I felt it was another synth (the PCM sample base was similar between M1 - Wavestation - 01/W and actually many sounds that rely on them are similar on these machines)
So the M1 should earn cult status among us fans like it happened for the Synthex and its Sync sound...
As to Normund reported consideration I quite disagree with it.
I never found on the Kurzweil a single sound used on Chronologie (apart from a metallic sound in Chronologie pt.7)
Just the Chronologie pt 5 intro has those lovely 01/W airy pads...but...
Why this obsession against the factory sounds? Does an album need to have all sounds created from scratch to be good and sound good?
It seems that when you buy a synth you must erase the whole memory, remove the battery -to be really sure- and keep out from those toxic preprogrammed sounds...
If a patch is nice and sounds great why not use it? The sound designer are paid for that!
The crucial point is the ability to use those sounds at their best, to allow them to sit in a mix and shine for their quality.
How many of us found or programmed a great sound and then were disappointed because in the mix it completely lost its magic and was not as wonderful as we expected...?