Post Teo & Tea reviews here


Post Posted Wed Mar 21, 2007 10:58 am
Dr_Jones
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Plato.nl reviewed it
Begin dit jaar dook op YouTube de teaser op van het project Téo & Téa.
Over de uitvoerend artiest werd in eerste instantie nogal vaag gedaan,
maar voor iedereen die de ontwikkelingen binnen de popmuziek al wat
langer bij houdt, was al snel duidelijk dat het hier gaat om de
wederopstanding van Jean-Michel Jarre. De Fransman die aan het eind van
de jaren 70 tientallen miljoenen exemplaren van zijn eerste twee platen
(Oxygene en Equinoxe) wist af te zetten en een paar jaar geleden nog
opzien baarde met massale concerten heeft op Téo & Téa zijn dromerige en
atmosfersiche klanken uit het verleden verruild voor eigentijdse
electronica die ook op de dansvloer goed tot zijn recht komt. Het zal
even wennen zijn voor zijn oude fans, maar liefhebbers van moderne
electronica zullen deze fantastisch klinkende plaat zeker omarmen. Jean
Michel Jarre is terug en blijkt het nog niet verleerd. Hoogste tijd nu
voor de terugkeer van onze eigen Theo & Thea.
Post Posted Wed Mar 21, 2007 11:51 am
GeeJee
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In short: JM exchanged his soundscapes for modern dance beats and is ready for a comeback. His fans will probably need to get used to it, but it will certainly be very popular amongst club visitors. They even call it a fantastic record. Woo! :D
:mrgreen:
Post Posted Wed Mar 21, 2007 7:27 pm
Jarp2600
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Yayy, I always loved the Plato stores! 8) :mrgreen:
"If you can't fix it with a hammer, you've got an electrical problem"

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Post Posted Wed Mar 21, 2007 9:24 pm
Christophe
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Yeah, that "Plato" review is very good! :D 8) :wink:

Greetzzz...
Post Posted Fri Mar 23, 2007 12:34 pm
Robi
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Metro Hungary arranged an interview with Jean Michel! :peacemaan:

http://www.metro.hu/cikk/63760


The album is about a love story, between two soulmates.
They have similar names, they are similar to each other and go through similar things.

On occasion of new album release we spoke with the musicain by phone. at the beginning we were a bit worried about an unsuccesful/undone interview, as Mr. Jarre didn't "pick up the phoneline" , but we reached him within an hour.



-Why did you compose an album about human relationship?

JMJ: When i started to work on this album, i was going through very difficult period. As a musician, as a private man. The theme is from this. Nowadays we don't care of our relationship properly. but i think it is very important to find our soulmate in the life, even if something happening, we feel good with her/him. Important a person, for who we can tell our problems and he/she understand us. It is not concidence that several people look for partners via internet. Many of them wants not sexual, but soul partner.

-So, You intend to show the right way regarding relationships?

JMJ: Not entirely. I wouldn't like to say for anybody what to do. Only i would like to draw the attention to this important fact/theme. In these days more difficult to find the best relationship, but i think everybody desire a true/real relationship, either a 17 or 50 years old person.

-Why this album is about one theme?

JMJ: i have always liked to do album with one concret theme. I can express my thoughts easier. That's why i like instrumental music, because in this kind of music the lyrics don't "disturb" the main theme. The good thing in electronic music that, when you close your eyes, then due to the music, you can "play" your own film, with your imaginations.

-What do you think about lot of people consider you as "grandfather of electronic music"?

-JMJ: i'm the father of my children maximum. ( :lol: ) With Teo & Tea, i feel myself as a starting musicain. (Starting=beginning of musical carrer-Robbie :P ). Also because T&T is different from my previous albums. I was always on my own way, i was always composed my own music, not sure they followed the actual trends.

-During your carrer lot of special events and records were done. You were the first artist who played electro-acustic music in Opera, and also the first who played in post-Mao China. Is it important for you that to be always the first?

JMJ: I never had plan that to be the first. These were simply done as the life brought. The people himself can't decide about these things. I didn't want to go to China (by myself), but i was invited. The Rolling Stones wanted to go there, but they were not allowed. When i got the opportunity, Mick Jagger asked me to try to collaborate. ( :o ) But it didn't depend on me. China decided.

-But we can say that your are the man of special things (events) Last year, for example, a concert was organised by UNESCO, which concert was in Morocco.

JMJ: Yes, in fact, that was a very special concert. I hope that we could express our aims. We are planning a DVD about that concert for end of this year! ( :D )

-Will you tour the new album?

JMJ: I really would like to, and i hope an event for Hungary. i like Budapest so much!

-Why?

JMJ: Budapest has lot of cultural and historical memories, people can see certain buldings , buildings like visible at very few places on the world. Hungary suffered a lot during communist decades, and now hardly try to reach Europe, for which, i think, it is going on the right way. Often the problem with West-European countries is there are no motivations and think they have a stable position, don't take care of anything. A concert in Budapest would be great aswell because my new album is about two persons, and Budapest has also two main parts. (Merci JMJ, we are WAITING for you :!: :wink: )

-Why did you start to work with UNESCO?

JMJ: i am highly proud of peoples and organizations who try to do something for future of humankind. Politicians usually take care of themselves, most of firms are also interested in exchange rate/profit. But i do think they also should deal with long-term things. i stand beside the organization because if somebody have fame , then he/she must to say something for long-term important things/fact.

-Do you think the internet music is the future?

JMJ: If not entirely the future of music , but its sure that it will be important segment. Only we have to find the suitable way in order to be good for everybody. And we must educate the audience too : must to explain - to steal is not a nice behave, but to steal the person whom we like, that is worse thing. Nevertheless, if we download the new album of our favourite band, the we steal. The aim would be to find a manner in which the musicains, the record companies and audience will be satisfied.


:)

My English in the best, apologies for errors...

:wink:
"I will release my next album at the end of this year"
Post Posted Fri Mar 23, 2007 12:41 pm
GeeJee
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Thanks a loooot Robi! :fine:
:mrgreen:
Post Posted Fri Mar 23, 2007 1:51 pm
Dr_Jones
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I second that.
Post Posted Fri Mar 23, 2007 1:59 pm
CLUBMIX
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I third that... thanks very much!
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Post Posted Fri Mar 23, 2007 5:20 pm
Kanta
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Thank you. :D I fourth that. :P
Jarregirl YouTube
Concerts attended:
Théâtre Marigny, Paris - 2007
Symphony Hall, Birmingham - 2008
RAH, London - 2008
Wembley Arena, London - 2009
NIA, Birmingham - 2009
POP Bercy, Paris - 2010
NIA, Birmingham - 2010
O2 Arena, London - 2010
Zénith Aréna, Lille - 2010
Port Hercule, Monaco - 2011
TUI Arena, Hannover - 2011
Festival International de Carthage - 2013
Barclaycard Arena, Birmingham - 2016
Post Posted Fri Mar 23, 2007 5:21 pm
jp8000
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ty
Master of copying other composers work.. subconsciously

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Post Posted Fri Mar 23, 2007 5:58 pm
Big time
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I fifth that!! :D

Thanks Robbie!! :D
King of smileys :D
Post Posted Fri Mar 23, 2007 6:55 pm
Robi
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you're welcome! :)
"I will release my next album at the end of this year"
Post Posted Fri Mar 23, 2007 9:33 pm
Robi
Posts: 3340
Location: Kiskoros, Hungary

It is funny, Metro France also made an interview with Jean Michel, sorry but i can't translatze it :pwned: (babelfish? )

http://www.metrofrance.com/fr/article/2 ... /index.xml

:D :D

Could somebödy summarize it? :smoke: 8)
"I will release my next album at the end of this year"
Post Posted Fri Mar 23, 2007 11:26 pm
Dr_Jones
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“I never was with the mode”

Jean-Michel Jarre leaves Monday its very last album, Téo & Téa. Far from the éthérées Oxygen melodies, this last opus is cut for the dance-floor. It says some more to metrofrance.com J MJ thinks of the possibility of setting out again in round this year… J MJ thinks of the possibility of setting out again in round this year…

Photograph: Gerard Glaume

JMJ in some dates
1948: Jean-Michel Jarre is born in Lyon
1976: Exit of its first albim, Oxygene, of which it sold 12 million specimens
1979: Its concert Place Harmony, in Paris, gathers 1 million people, which is worth to him to enter in Guinness of the records
1993: It carries out a great round through Europe. JMJ is named ambassador of UNESCO for the Tolerance and Youth
1997: It leaves Oxygene 7-13, the Oxygen continuation and occurs in front of 3,5 million people in Moscow
1999: Its concert with the foot of the pyramids of Gizeh, in Egypt, gathers 120.000 spectators, 2 billion televiewers and 2 million Net surfers
2004: Exit of its Aero album, the first in the world designed in sound quality surround and historical concert in the prohibited City, Beijing March 26,
2007: World exit of Téo & Téa To listen The podcast of Jean-Michel Earthenware jar (6min57 via iTunes)

It receives at his place, in Paris, between two planes. So long 60 years, Jean-Michel Jarre connects the interviews. We are at a few world days out of Téo & Téa, its last opus, on March 26. The journalists have patience, each one awaits his turn. And when it arrives, the language, sometimes, fork…

Let us speak about your first alb…, finally, forgiveness, your 18th album…
My first album, it is a little that yes! (laughter) It is funny which you say that because it is as a little as that as I conceive it. The lapse is significant! I crossed one rather dark period as well at the personal level as professional there are three/four years, and I changed house of disc under difficult conditions émotionnellement. Téo & Téa are my first album at Warner. I approached it with a certain jubilation and, I think, a certain freshness. Innocence leaves it the child and the desire to make, it is what always gave me desire for making music.

How did you work for Téo & Téa?
I carried out about fifty demos in one month. Returned in studio, I selected a score of it. I worked them over again and finalized of them some which are reproduced from now on on the album. For this album, I left behind my screen computer to improve truths instruments, to work with truths keyboards, in an almost sensual way. It is like a first album. All is different: manner of approaching it, of working with the instruments. It is more rhythmic, more fun, more jubilatoire. After the difficult period that I had crossed, it is like a vaccine, I inoculated itself an amount of energy!

Explain to us the title of your album Téo & Téa,
it is the idea of the meeting. I have the impression that, in our company, to find a partner or his soul mate becomes an obsessional search. Téo & Téa do not tell the history of two characters but described a framework of the meeting and relation in all its states. A charged with electricity, dynamic meeting. They are themselves a mixture of innocence and desire, and it is that their engine.

Did you use new instruments or employee of new techniques to create your melodies?
I was likely to work with prototype instruments. I have this side kid, but I like to have different toys because the new instruments kill my reflexes and my practices. I must each time develop another approach to discover new sounds. I started to work with the idea that I would make this album of a draft. But it is the very first one which I entirely mixed myself. And I am perfectionist… Obviously, moments ago of discouragement, sometimes even of the rather irrational moments of despair, but it is necessary to know to release the baby. And, finally, now that I am at the end of the road, I preserve only the excitation and the jubilation.

How does one dance on your music?
It is ryhtmique than than I had made up to that point, certain pieces are clearly related to the universe of the dance floor.

Which is the best place to listen to your album?
This album is made to be listened anywhere. I listened to it much with the helmet, I like this wandering manner to listen to music, to take along his music with oneself everywhere, strolls some. I find that poetic. Another manner of appreciating the album, it is to immerse itself in the sound, with the version surround. Your career is already long.

Nervous summers you with the approach of the exit of this 18th album?
Actually, when its first album is left, one does not know with what to expect, there are too many imponderable. It is at the time of the exit of the second album that one becomes nervous, because one is awaited the turning. Since my last disc (Aero left in 2004), it did without much things in my life and the industry of the disc. The public became wandering, it listens to the music on its portable, will buy it in the record dealer, downloads it… The context is different. Therefore, I do not know what awaits me. I found the innocence of the first album and the desire to re-examine the public.

Most painful, when one makes an album, it is his promotion?
To speak about its music is the most difficult exercise. I have an at the same time familiar and strange relationship with that which I do. I know the album by heart because I spent the days and the nights to work it. At the same time the music is abstracted, it escapes always a little, and it is difficult to put words above. It is as when one looks oneself in a mirror, one knows that it is well oneself that one sees, but one does not see what one would like. The other aspect of the promotion of an album, it is that one speaks about oneself all the time… Despite everything, I estimate to have an enormous chance. You one are accustomed in the concerts which exceed the million sectateurs.

You even joined together 3,5 million in only one concert of them, in Moscow in 1997. Since, do you try each time to renew the exploit?
I never fixed myself of objective to reach concerning the public, would be this only because one can never know in advance how much spectators will come. I am not obsessed by the fact of having a large audience. I recently made a concert in the full Sahara. There were 80.000 people, I did not expect it at all.

The show-box that you will give on March 28 in Antwerp rests on a different concept.
Yes. The starting idea was to make the concert some share in Europe and, since part of creation is dematerialized, to illustrate this dematerialization. The only physical people present in the room will be of the “Téo & Téa”, therefore couples, from all Europe and which will have gained their places thanks to the contest launched by different the Subway from Europe. They will be approximately 300. But everyone will be able to attend the concert, in a virtual way, behind its computer, connected to the Web.

It thus sometimes happens to you to play in small rooms?
Of course, that already arrived to me several times, but the JT prefer speech in the concerts which gather a million people. Moreover, it is always a mystery for me to see that as many people comes to see my spectacles. Perhaps they know that that will have place only once.

Did you already think of leaving in round, and thus of making several times the same spectacle?
I already did it, a long time ago (in 1993, note). But the idea in the single concert always allured me. When I was small, my grandparents lived opposite the Perrache station of Lyon, crushes in front of the place where the circuses came to make single representations. I was fascinated by this capital assembled for only one representation in a virgin place, which was left quite as virgin once the finished spectacle and the dismounted capital. But, for those which had attended the spectacle, the place had been responsible for memories, therefore had become a little different. It is very poetic. But for Téo & Téa, I will make a series in concerts in various places, even if I will not make 200 dates. I always choose places which astonish me. And in extreme cases, for me, to pass to Bercy will be strange, I never occurred there!

What do you think of rising generation of electro musicians, like Air?
It is a group with which I feel a certain affinity. After all, in the air, there is a little oxygen! They revisited the Seventies, and remain apart from the modes, of the “hype”. Oxygen left in 1976, in full disco music vagueness. In fact, I never was with the mode.
Post Posted Sat Mar 24, 2007 1:15 am
Big time
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80.000 people at the Merzouga concert?? I think not! :P More like 8.000.... :lol:

Or was he talking about 12 dreams...? :P
King of smileys :D







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