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Posted: Wed Jan 07, 2009 9:54 am
by Analog-Umph
radek tymecki wrote:Also one detail about phased chords in oxygene 4: compare how it sounds when JMJ plays main melody and how it sounds when RMI can be heard; sounds metallic ale more resonance is added. It's because JMJ added mistress flanger with 3/4 color and small cycle rate + low flange.
Didn't he just add more chords an octave above, that's what would make the phasing more pronounced and resonant.
Posted: Wed Jan 07, 2009 6:54 pm
by radek tymecki
nope
Posted: Thu Jan 08, 2009 11:06 am
by Analog-Umph
I tried those setting, and it's not the sound at all.
What's rather closer to the right resonance is Color on the second line, Range on the 5th and Rate on the second.
There also some eq'ing going on. And I still think he adds extra notes to the passage, 'cause it just doesn't sound right without them.
There is no start to anything, ie another clearly percievable layer of strings, if you don't add them, it's just the same old phased strings sounding a little more grungy now.
Which means either he's changed eqing in the original strings and increased a harmonic or two or he's added another layer of phasing and flanging strings.
Posted: Thu Jan 08, 2009 12:39 pm
by radek tymecki
gimme some time
Posted: Thu Jan 08, 2009 12:56 pm
by Analog-Umph
It better be good
EDIT: Actually I was just experimenting with the new issue Electric Mistress and in doing so discovered that the settings have to be completely different in order to achieve the same sound as the vintage one. All 3 have to be different, rate, range and color.
Not to mention it sounds god-awful.... The rate on the new ones really screws up the sound, it doesn't sound like a full-bodied flange, more like a cheap effect on top, especially noticable when you speed up the rate, which again doesn't take more than a 45 degree clockwise turn.
I wonder what they had in mind for the rest, cause it sounds god-awful....
Which one are you using?
Posted: Thu Jan 08, 2009 7:49 pm
by olivier_0001
do you know this settings during oxygene 4 (strings and rmi sequence ) : electric mistress and small stone serial linked. First electric mistress and second small stone.
I have remarked that on the oxygene dvd (eminent from dominique perrier)
Posted: Mon Jan 12, 2009 11:22 pm
by Jarre4422
The vocoder on Give me a sign
Posted: Mon Jan 12, 2009 11:25 pm
by jp8000
Jarre4422 wrote:The vocoder on Give me a sign
Roland JP8080 or EMS Vocoder 2000
Posted: Wed Jan 28, 2009 6:46 pm
by usgloli
And this sound we can hear in the intro of Equinoxe 7?
I suppose he played this on JV 90 but I'm not sure...
Example
And I'm sure he used this sound in Chronologie Part 2 (2.43 to 3.30) and Calypso Part 3 (0.50 to 1.12 and I suppose that it is the same sound but slowed at 1.28 to 1.40).
Can you help me?
Posted: Wed Jan 28, 2009 7:38 pm
by radek tymecki
it's talking pedal
Posted: Wed Jan 28, 2009 7:44 pm
by jp8000
radek tymecki wrote:it's talking pedal
Never thought that possibility...
Posted: Wed Jan 28, 2009 8:13 pm
by Jakob BC
Actually that was concluded a few years ago, but of course that's long time ago
Posted: Thu Jan 29, 2009 9:06 am
by Nico_Noyau
radek tymecki wrote:it's talking pedal
And I confirm that, as an owner of the baby
Posted: Mon Mar 30, 2009 10:22 pm
by JPQ
what synths are used in waiting for cousteau album for fx?
and what synths(i mean some how fm like sounds) and fx sounds are used in moon machine ?
Posted: Mon Mar 30, 2009 10:34 pm
by Dominc
JPQ wrote:what synths are used in waiting for cousteau album for fx?
and what synths(i mean some how fm like sounds) and fx sounds are used in moon machine ?
My Answer for that would be the Arp2600, Roland D-50, Fairlight CMI 2 and maybe the Akai S1000