BlahBlahCafe - Jean-Michel Jarre forum

Those two samples really give me a Vangelis vibe more than anything honestly. Not that I'm complaining about that!

Dr_Jones wrote:too late, this is Electronica, Heart of Noise is part of that too

Yes, but now it is official so better to use the main topic of Electronica 2: The Heart of Noise please.

Pat Gleeson wrote:Heart of Noise Part 1

Pat Gleeson wrote:Heart of Noise Part 2..

Haunting emotive.

I'm gonna cry

Kanta wrote:Please post in this topic for any posts on Electronica 2: The Heart of Noise by Jean-Michel Jarre: http://www.zoolook.nl/forum/viewtopic.php?t=6497

Many thanks in advance.

Thanks Kanta - will do

So, the release date was moved to Jule 31?

shadow wrote:Those two samples really give me a Vangelis vibe more than anything honestly. Not that I'm complaining about that!

Me too. For both tracks 1 and 2 . I could feel something about "To the unknown man" (synth bass), drums from the ending of alpha (albedo 0.39) and kind of "sax synthesizer" (Blade Runner atmosphere) in the 1st track.

The 2nd track reminds me also Oceanic and a little bit of Soil Festivities, aquatic dance (Oceanic)... although aquatic dance also reminds me Magnetic Fields 1

Is there something "special" about the Japan released "blu-spec" CD or just a different cover?

http://www.ebay.com.au/itm/2015-JEAN-MI ... 1816439748

It's a blu-spec CD which means it's produced with a blue laser to burn the pits in the CD master, reducing distortion in the optical read-out process.

And it has an extra booklet with japanese text (probably a translation of the text in the original booklet) and english lyrics of the songs.

Dr_Jones wrote:It's a blu-spec CD which means it's produced with a blue laser to burn the pits in the CD master, reducing distortion in the optical read-out process.

And it has an extra booklet with japanese text (probably a translation of the text in the original booklet) and english lyrics of the songs.

Ok, thx doc. Never heard of that process before. I just saw that it's almost 3 times as expensive as the regular CD. I would guess reducing distortion to zero will not help that the mixing sounds way too darn compressed imho.

Velodynamic wrote: I would guess reducing distortion to zero will not help that the mixing sounds way too darn compressed imho.

yeah, that doesn't help

One final note about the spectrograms that I was going to post a while back, but forgot:

The synth picture hidden in the spectogram is no other than the EMS Synthi AKS, significant because it's Jean Michel's first synthesizer ever.



JMJ's face comes from the below picture, taken by Patrick Demarchelier - probably nothing significant other than this picture being used on the CISAC website.

I've just got around to listening to the vinyl (new stylus finally arrived).
God Almighty what a difference. There is no comparison between this and the CD / files etc. The Dynamic Range and warmth is a revelation. Mastering is everything, and the limitations of vinyl works out to be an advantage here.
This is how I'll be listening from now on ...

Best thing I ever did pick up a Technics hifi for £40. The difference in sound quality is excellent.

It's the cartridge and preamp that's doing the whole trick.
If you find the right stuffs to your turntable the E1 vinyl sounds totally amazing.
Light years beyond that cheap CD version.

I have quite a few digital recordings - download and DVD / Blu Ray Audio, which sound as good and warm as any vinyl. I'm not a "vinyl or nothing" person. The loudness wars have vinyl casualties too - just listen to the current pressing of Oxygene, for example. 'Electronica 1' though has been mastered so loud, I doubt it's possible to press it at the same levels as it's digital counterparts. The stylus would probably skate off the platter

Vinyls inherent limitations have turned into a huge advantage ...