GeeJee wrote:There's a limit, too. I mean, for private use, the current HD is more than enough. Larger dimensions are only useful on really large screens. I don't see the point of this resolutionbattle. Meh.
But for the argument itself that it's enough for now, yes I agree about that. But don't think about just now, also think 20 years in the future, something alot of people twenty years ago did not do... VHS/Betamax were good enough 25 years ago when they filmed the: Houston, Lyon, London, Paris La Defense concerts. Now go back and watch those VHS tapes on a High Definition TV, it was enough back then, but now more then twenty years later those tapes are lacking in quality. The resolution that these concerts were recorded is stuck on that small resolution, and they can never be scanned into a PC and gain more quality (especially considering those tapes are in Interlaced format).
Same goes for 1080P Recording, it's great for now, but in 20 years don't think that 1080P is still a high standerd. The resolutions of televisions by then has most likely reached 4K and maybe even 8K who know, but the resolution and quality of those concerts is stuck and is impossbile to upscale without sacrivising the quality even more.
That's the entire problem with High Definition recording's, it not High Def anymore in so many years... It's not a thing about resolution battle, it's a battle between formats. Just go and see: Metropolis (1927), Snow White and the Seven Dwarfs (1937), The Wizard of Oz (1939), Fantasia (1940), or even Citizen Kane (1941 Pre-re-release screenshots). Look at the quality these movies are being re-released in, it's amazing that these movie's look like that. They even look better then some material that's being shot on 1080P natively, and they are all more then 70 year's old. That's really the only reason why I want those concerts being shots on Film rather then digital, you can, if the filmroll is perserved well, get a release in 50 years and still make it look as if it was shot yesterday
